Saturday, 12 November 2011

REAR WINDOW - VISUAL RESEARCH 6

from ‘The Hotel’ by Sophie Calle

In 1981, Sophie Calle spent three weeks working as chambermaid in a hotel in Venice. This allowed her to spy on the guests. Like a detective or crime photographer, she photographs the momentarily unoccupied hotel rooms: she photographs the unmade or never slept in beds, the stray items left in bathrooms, the contents of suitcases and closets; she reads letters left lying in the open, takes photographs of the guests, and does even more. Sophie Calle published the photographs within the diary-like report of her ‹observations,› in the book entitled «Ecrit sur l’image. L’Hotel». Calle turns the viewer or reader into an accomplice of her voyeurism – filling them, too, with the urge to move unobserved through another’s private sphere.

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