(The Little One is Dreaming, Study, 1881, Paul Gauguin)Tate Britain's Eadweard Muybridge is surprisingly beautiful. The works are more than 130 years old but still inspiring. White Cube's Gregory Crewdson's Sanctuary was surprisingly boring, but as usual, pretty. White Chapel's Walid Raad's Miraculous Beginnings is highly conceptual, systematic and impressive. I like the second room - Making the Familiar Strange in Paul Gauguin's Tate Modern exhibition.
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