TAKE A BREAK - SHOOT @ THE PHOTOGRAPHER'S GALLERY

It is a very interesting show.  I didn’t know this kind of shooting gallery in history.  I had an image with a bullet flying to a Leica, from last year’s Paris Photo.  I found it is quite conceptual.  A gun shoot a camera, a camera shoot back.  There are quite a few theme based works.  The video installation gives me lots of revelation too.  Standing in the middle I was closed in by four screens with appropriated video footage from movies men shooting... I myself sometimes don’t find these cliche movie boring and if anything I quite like to see these movies from time to time, but seeing the installation give me some more thoughts...  Shooting! Existential life.

There is evan a real shooting gallery but I didn’t try due to time constraint. Should be interesting.

“Like guns and cars, cameras are fantasy-machines whose use is addictive. However, despite the extravagances of ordinary language and advertising, they are not lethal. In the hyperbole that markets cars like guns, there is at least this much truth: except in wartime, cars kill more people than guns do. The camera/gun does not kill, so the ominous metaphor seems to be all bluff – like a man’s fantasy of having a gun, knife, or tool between his legs.” -Susan Sontag

Also, downstairs, I saw Tom Wood’s show.  I actually visually researched his work and now see them in person in a gallery!

TAKE A BREAK - DEATH @ WELLCOME

Introduction from Wellcome’s website.  Theme interesting so I went there but not as I expected probably I expected it could be more visually ...

Our major winter exhibition showcases some 300 works from a unique collection devoted to the iconography of death and our complex and contradictory attitudes towards it. Assembled by Richard Harris, a former antique print dealer based in Chicago, the collection is spectacularly diverse, including art works, historical artefacts, scientific specimens and ephemera from across the world. Rare prints by Rembrandt, Dürer and Goya will be displayed alongside anatomical drawings, war art and antique metamorphic postcards; human remains will be juxtaposed with Renaissance vanitas paintings and twentieth century installations celebrating Mexico’s Day of the Dead. From a group of ancient Incan skulls, to a spectacular chandelier made of 3000 plaster-cast bones by British artist Jodie Carey, this singular collection, by turns disturbing, macabre and moving, opens a window upon our enduring desire to make peace with death. 

TAKE A BREAK - TURNER PRIZE @ TATE BRITAIN

I particularly like Elizabeth Price’s video installation - Woolworth Fire.  Narratives, montage, edit, texts, sound effects... Price reanimates existing archives of imagery, texts and music to explore our complex relationship to objects and consumer culture. Her carefully sequenced films guide us through immersive virtual spaces, derived from the cultural debris of the material world.

TAKE A BREAK - PRE-RAPHAELITES @ TATE BRITAIN

It was full of people, especially middle and old aged ones... Maybe I am already one of them, or at least I am on the track, and very fast... I had to squeeze among them but I love this exhibition.  I don’t care about the conceptual stuff anymore completely being carried away by the deadly beautiful works.  They are so rich with beautiful details and props perfectly presented and expressed.  Among them John Everett Millais and Dante Gabriel Rossetti particularly are eyes catching to me.  I have a fixation for chiaroscuro.  There are a few chiaroscuro works.  I think I can sit there forever let the beauty talking me away and melting me.  Photography is overshadowed by these kind of painting...  I want to take them home, change my wall to all those Pre-Raphaelites wall papers, update my furniture to all those beautiful things... Anyway, breath taking!

MAJOR PROJECT - REVIEW, WORK IN PROGRESS

We had a review today on work in progress.  There were lots of interesting comments.  I haven’t seen or heard interesting stuff these months.  Missed Andrew’s Nostalgia talk but caught up with the recording, a very interesting subject as it relates to me - these days everything to me is nostalgia, not mentioning the time based medium photography, as everything around me, the whole world is a time based medium where I engage push and pull on a daily basis.  

Among everyone’s work, I found Andrew’s very interesting.  He took a roll of 35mm colour film, blow, blow, and blow out with lots of grain and deformed forms of subjects.  The more you zoom, the less you know, the more destabilising it gets.  He is questioning the truth of the medium and challenge viewer what you see is not what you see...  

I was impressed Sarah D’s project in Show and Tell, now she explained the philosophical level, the logos and superficiality.  She said everything combines everything, there is a relationship among everything, superficially probably.  Anyway...

Gavin and Silke both said, play with material, don’t commit yourself, do now, think later, you don’t know until you do it...  Quite like it, I knew it too, but sometimes my right brain was controlled by the left, which tries to get rid of all the uncertainty, I want to play with more uncertainty, don’t think, do intuitively...

Gavin commented Alan’s landscape idea which Alan claimed to have the obvious conflict and message in a good landscape image.  Gavin said photography is not that kind of media, it does not give explicit message as such, rather it offers subtlety, a relationship rather only than conflicts.  This way, the continuous engagement is created to reach a complex level.  The cliche in landscape is just offer those romantic iddilic edenic mood, but there is more that that as nature is not necessarily that idealistic...it was well commented, quite like the idea.  

I don’t think I get clear direction over my projects.  I do hear different comments.  Gavin explained the depth of the red background and I found quite interesting.  Silke shot my idea to draw a line in Shi Dai Jing Shen skyscape, which I quite agree.  Seems the challenge is how to present this 3 strands projects.  I need to decide if I shoot more portraiture, with lighting or not.  Then after that, I can just play around with materials, edit and presentation. 

STATE OF THE NATION - FINALE

I didn’t expect it is this single image shortlisted - have thought it was my Transit project as I thought that was much more interesting.  I didn’t it could win some prize too.  The 3rd prize in single image section.  I don’t like the image as it is a kind of cliche and medium is swarmed with these kind of images which is not interesting.  However it is indeed very pictorial, quite a spectacle.  I missed the private view but went to see the show today at P3 Gallery.  Could be nice to have attended to get the prize physically though...

Open publication - Free publishing - More 2012

MAJOR PROJECT - SHI DAI JING SHEN / SHOOTING & COMPOSING

I am still contemplating the composition.  While vaguely I feel like the equal split way, I tried different kinds of experiment.  Which one should I chose?  What more options do I have?  Maybe the first one to be different from Sugimoto?